My Gammill

January 18, 2017

Where Have You Been?

I have to laugh when I look back at my last post. It's been almost a whole year! A whole year! That's amazing to me... and so sad.

Jann and I were very enthusiastic about piecing The Farmers Wive blocks with our quilt retreat friends.  Then, we realized that Jann and I were piecing the blocks ALONE. No one else in the group was piecing them with us. So, we quit. If no one else was working on them according to the schedule that we had set up, then we didn't need to feel the pressure to get the blocks done either. I have made more blocks, but I haven't posted them. I will get back to them next month after my Mom goes home. Actually, one of the reasons that I quit piecing them was that I had to clean up the sewing space in the dining room and I just haven't gotten back to them. There just isn't enough room upstairs in my quilting studio to cut and sew the blocks. The Farmers Wife blocks take a lot of room with all of the fabrics and block pattern pieces and somewhere to organize them... It just takes a lot of room. I think that I will take over the dining room again and start cutting out the blocks again in February. That will make it a One Year Anniversary project!

February 25, 2016

Three Weeks!

I have neglected to update my blocks for the Quilt Along! I have 3 weeks to show you...

Week #4.
The top block is from the Moda Sampler Block Shuffle, Block #4, done in blue and white civil war fabrics. I love this combination! It is so simple and cute.
The bottom block is my choice of a Heart block, which is my sister, Jann's suggestion on the schedule. It is done in red and tan, with the red making a sort-of-squished-to-the-side heart shape. I didn't want an obvious heart shape in this quilt. The block is from The Farmer's Wife, Block #75, Rosebud. It was pretty easy to make. I'd like to make another in a different color. I saw it in another book with the points and the two rounded top of the heart in different colors, so it didn't look very much like a heart. I wonder how that would look?

Week #5
This week, I chose PURPLE and white Civil War fabric for the Sampler Block. I love Churn Dash blocks!
For the second block, I chose to make The Farmer's Wife, Block #44, Gentleman's Fancy, as my choice of a square in a square option. I love the cheddar but I am hoping that it will not be too harsh in my quilt. I am, of course, adding more cheddar in the coming blocks.

Week #6
For Week #6, I chose Red, Black and White for the Moda Sampler Block #6- Star. (Why is this picture so blurry? Yikes!)

And, the challenge for the second block was to make a Log Cabin Block. I couldn't find a traditional Log Cabin block pattern, so I did an online search and found this modern version of the Log Cabin Block. It is from the Super Simple Sampler, which is a modern 6" block sampler. This is the modern log cabin block from the blog.

I also chose to make a Schoolhouse Block with Marti Michell templates as a joke. I couldn't find a Log Cabin Block, so I make a Log Cabin! Well, I think it's funny, anyway!

I really love the Schoolhouse Block! I plan to make a red and white Schoolhouse Quilt later this year.

February 22, 2016

Live Contentedly with Quilts!

Double Wedding Ring

"...Search your past for clues as to how to live contentedly 
in the present."
"Return to the home of your childhood."
Simple Abundance by Sarah Ban Breathnach, February 22

In my childhood home, I remember there always being antique quilts. They were quilts made by my Great-Grandmother, Flora Belle Riley, or we always called her Grandma Johnson. These are pictures of the types of quilts that she made. They are cozy and sweet. A perfect clue of "how to live contentedly in the present".

Grandmother's Flower Garden

Trip Around the World

Image result for antique quilts yo yo
Yo Yo

February 04, 2016

Let Go Of The Struggle

"Whatever situation exists in your life right now, accept it... Let go of the struggle.  Allow the healing process of change to begin."
Simple Abundance by Sarah ban Breathnach

How to Make a T-shirt Quilt

I have had several people ask me lately how to make a t-shirt quilt. I have never made one and have not great desire to make one. But, I can share a tutorial on how to make one with you!

This is from wikiHow:

Do you have a bunch of tee shirts that you haven't worn? Are your dresser drawers overflowing with race commemoratives, favorite team tees and the like? Here's a clever way to keep those tees in circulation.... make them into a quilt!
  1. 1
    Sort through your tee shirts.
    • Stack them by color and/or design.
    • Determine how many of them you want to use. The size and design of your finished quilt will depend on the amount of material you have available.
    • 14x14 inch (35.5cm) squares are a common and comfortable size to use, but you can enlarge that to 18x18 inch (45cm) if the shirts are XXL and shrink that to 10x10 (25cm) or less if you will be using children's shirts.
    • Common blanket sizes are:
      • Crib - 42" x 72" (3x4 or 3x5 shirt grid = 12 to 15 shirts)
      • Twin - 66" x 96" (5x8 or 6x9 grid = 40 to 54 shirts)
      • Double/full - 81" x 96" (6x8 or 7x9 grid = 48 to 63 shirts)
      • Queen - 90" x 102" (8x9 or 9x10 grid = 72 to 90 shirts)
      • Standard King - 108" x 102" (10x10 or 10x11 grid = 100 to 110 shirts)
      • California King - 102" x 110" (10x11 or 11x11 grid = 110 to 121 shirts)
      • Note: you can use "sashing" or strips of cloth between the T-shirt panels to reduce the number of shirts needed... these numbers are approximate, and are for a quilt top made of nothing but tees, with no sashing.
  2. 2
    Evaluate your collection. Is there a common color scheme? A theme that runs through them? Any patterns or messages that you would like to emphasize?
  3. 3
    Choose a pattern. A simple grid pattern is the easiest, but you can get as creative as you like. For example:
    • 45 degree block turn
    • 22.5 degree turn
    • Window block
  4. 4
    Launder all of the shirts. Do not use fabric softeners or anti-static sheets.
  5. 5
    Lay the tee shirt out flat. You may want to iron the shirts (note that many designs on t-shirts have transfers that may melt, so test a small area prior to ironing) to get out any wrinkles still left after washing and drying.
  6. 6
    Determine what part of the tee shirt you want in the quilt and trace the perimeter of your template.
  7. 7
    Cut your square panels from the shirts using a template. A square Plexiglas template can make rotary cutting of these panels a breeze.
    • Note: Remember to allow a half inch (1.25 cm) of seam allowance all around.

  8. 8
    Stabilize the tee shirt panels by ironing a non-woven fusible interfacing or lightweight, fusible tricot interfacing to the back sides. This prevents the T-shirts from stretching or sagging during construction.
  9. 9
    Check to be certain that the interfacing has adhered properly.
    • Once you've stabilized the knit tee shirt fabric, you are ready to sew as you would with "normal" fabrics.
  10. 10
    Decide how you'll sew the panels together. Sewing the panels in columns or rows and then joining those together for the complete panel is the most common method of constructing a quilt top. 
  11. Tips

    • Sashing between blocks helps to stabilize the edges of the knit as well 
    • Sashing between blocks helps to stabilize the edges of the knit as well as adding width and height to the finished quilt panels.
    • Machine quilting in an "all over" pattern also helps hold the layers together and prevent sagging and stretching.
    • You might use a fusible webbing and fuse the shirt panels to muslin as an alternative to the tricot or Pellon interfacing.
    • Use your "walking foot" to sew the seams to prevent seam stretching or bunching.


    • Hand quilting a finished tee shirt quilt is quite tough on one's hands. Go with a long arm quilting machine instead.
    • Scissors and needles are sharp. Handle with appropriate care.

    • Things that you will need:
    • T-shirts (see size suggestions above for quantities)
    • Scissors
    • Sewing machine
    • Pellon or fusible webbing and muslin for stabilization
    • Laundry facilities
    • Iron
    • Supplies on the ironing board.
      The usual sewing notions such as thread, etc.
    • Sources and Citations